Quiet Havoc
Recent Objects
Each piece starts as a clay sketch and a bad idea, then gets rendered until it behaves just slightly wrong.
Said Out Loud
Notes from the clients who sat through the clay phase and stayed for the render. We left out the complaints.
We asked for a product render and got a small, strange sculpture that sells the speaker better than any spec sheet. Our launch film still gets replayed in the office.
Dario Vence
Fieldnote Audio
They modelled our chairs in clay before touching a single polygon. That one detour gave the whole campaign its texture, its colour, and a tone we kept for two seasons.
Hannelore Visk
Marrow Furniture
Their timing is unreasonable in the best way. Every loop lands half a beat late on purpose, and somehow that is exactly why people watch the sleeve animations twice.
Ines Calloway
Tidewater Records
We came in for three frames and left with a full object library, a motion grammar, and a lens that blinks. Rare to find a team this precise that still likes surprises.
Oskar Lunde
Brim Optics
They turned a teapot into a character with a personality and a walk cycle. What started as a holiday sticker became the face of our whole spring range.
Rosa Ternay
Kettle & Kiln
From the first call they treated our titles like a shared experiment. We handed over a mood and a deadline, and they handed back a world we could actually light.
Bastian Mohr
Pale Harbour Films
Rendered
Misbehaved
Inflated
Tactile
Part of the circuit